香港國際青年藝術(shù)家協(xié)會會長黃巧嫻—林之助：以畫筆訴說生命的溫暖與厚重
Chantelle Huang，Society Director of HIYA— Lin, Chih-Chu: Expressing the Warmth and Depth of Life with a Paintbrush
以愛為名落筆，即使肉體囿于塵世凡俗，精神亦能超然于物外，如羽化登仙一般給凡人以情感上的共鳴，讓人直呼浪漫，留下不可名狀的感慨。于臺中國立美術(shù)館放慢腳步，伴隨著浪漫的氤氳其間，思緒便也飄向那個風(fēng)雨交織的年代。
Writing under the guise of love, even though the body is confined to the mundane world, the spirit can transcend worldly constraints, resonating emotionally with ordinary people like ascending to the heavens, evoking a sense of romance and leaving indescribable sentiments. Stepping into the Taiwan Museum of Fine Arts, one slows down, enveloped in a romantic atmosphere, and thoughts drift back to that era intertwined with wind and rain.
林之助先生，這位被尊稱為“臺灣膠彩畫之父”的繪畫大師，他的一生都在用畫筆探索著生活的美與溫暖。出生于臺中大雅的他，自幼便與藝術(shù)結(jié)下了不解之緣。十二歲赴日本留學(xué)，后考入日本武藏野美術(shù)大學(xué)，他的藝術(shù)之路由此正式開啟，年少得志并不影響其歸國之心，幾度坎坷仍不輕易潰倒，挽起衣袖入田地耕作，換得錢財提起畫筆，風(fēng)華依舊，故在其筆觸之中循跡，觀之，脈脈溫情便得以浸潤。
Mr.Lin, Chih-Chu, revered as the "Father of Taiwanese Oil Painting," is a master artist who has dedicated his life to exploring the beauty and warmth of life with his paintbrush. Born in Daya, Taichung, he has had an unbreakable bond with art since childhood. At the age of twelve, he went to Japan to study, later enrolling in Musashino Art University. This marked the official beginning of his artistic journey. Despite facing numerous challenges, his determination to return home remained steadfast. Even during difficult times, he refused to yield, working in the fields to earn money for his passion for painting. His youthful vigor remains undiminished, and his warmth and affection are evident in every stroke of his brush.
場館內(nèi)最引人注目的，莫過于林之助先生24歲參加紀(jì)元二千六百年奉祝展時便一鳴驚人的《朝涼》,與在教材上看頗有不同感受，這幅畫尺寸龐大，高283公分，寬182公分，如此巨幅的作品，單是構(gòu)圖就耗費(fèi)了林之助先生整整兩個月的時間。每一個色譜的調(diào)配，都需要2-3天的精心研制。站在原作面前，我才真正體會到這幅畫的震撼之處。它不僅僅是一幅畫，更是一個生動的故事，一個充滿生活氣息的場景,我仿佛被帶入了一個靜謐而宏大的世界，感受到了藝術(shù)家通過畫筆傳遞的深情厚意。
The most eye-catching piece in the venue is undoubtedly Mr.Lin,Chih-Chu's remarkable "Morning Coolness," which he presented at the Celebration Exhibition for the 2600th Anniversary of the Era when he was just 24 years old. Unlike the impressions one might have from textbooks, this painting is immense, measuring 283 centimeters in height and 182 centimeters in width. Creating such a large-scale work took Mr. Lin Zhijun a full two months, just for the composition alone. Each color palette required meticulous development over 2-3 days. Standing in front of the original, I truly felt the awe-inspiring nature of this painting. It is not merely a piece of art but a vivid story, a scene teeming with life. I felt as though I had been transported into a serene yet grand world, experiencing the deep emotions and sincerity conveyed by the artist's brushstrokes.
〈朝涼〉（國立臺灣美術(shù)館）
"Chao Liang" (National Taiwan Museum of Fine Arts)
林之助的畫風(fēng)多變，從早期的受“帝展”、“府展”影響，到中期的融合西方繪畫技法，再到晚年的回歸寫實表現(xiàn)，他的藝術(shù)風(fēng)格始終在不斷創(chuàng)新與突破，浮生所歷生命之溫暖與厚重，皆于筆下一一呈現(xiàn)。
Lin,Chih-Chu's artistic style is diverse, evolving from the early influence of the "Emperor's Exhibition" and "Provincial Exhibition" to the integration of Western painting techniques in the middle period, and then to a return to realistic expression in his later years. His artistic style has always been characterized by continuous innovation and breakthroughs, vividly presenting the warmth and profundity of life experiences through his brushstrokes.
作者介紹
Introduction of the author
黃巧嫻
Chantelle Huang
香港國際青年藝術(shù)家協(xié)會會長暨公共事務(wù)營運(yùn)總監(jiān)
Society Director Chief Public Affairs and Operating Officer of HIYA
畢業(yè)於知名藝術(shù)學(xué)院，醉心於藝術(shù)，致力幫助本地有潛質(zhì)的藝術(shù)創(chuàng)作者，讓藝術(shù)家和社會大眾來探索藝術(shù)價值，成就不同事業(yè)。
Graduated from a well-known art institute, she is dedicated to helping local artists with potential to explore the value of art and the community to achieve different careers.
