我寫下的每一筆，都是與先人的對(duì)視。
墨要濃淡相宜，像世道人情；字須方圓兼?zhèn)?，如天地法則。這些橫豎撇捺，不只是書法，它們亦是時(shí)間的信使?！紡V生
“辜體”書法介紹
辜廣生所創(chuàng)的“辜體”書法，深深植根于碑學(xué)傳統(tǒng)，尤以“二爨”為基，又融金農(nóng)漆書的方勁與伊秉綬隸書的寬博于一爐，并汲取漢簡的核心養(yǎng)分，且融合了行草書的用筆、楷書的結(jié)構(gòu)，風(fēng)格上追求古拙、飄逸。
其用筆以中鋒為主，方勁沉實(shí)，起收果斷，線條如鐵畫銀鉤，盡顯剛健之氣；結(jié)體則因字立形，外擴(kuò)舒展，于楷法規(guī)矩中暗含篆之對(duì)稱、草之靈動(dòng)，字字變化自然。通篇觀之，章法疏密有致，墨韻濃淡相生，氣脈貫通而意境深遠(yuǎn)。
“辜體”之妙，在于大巧若拙——古厚中透出書卷氣，沉穩(wěn)處蘊(yùn)藏禪意靜心。辜廣生常以詩文入書，以文鑄魂，更通過字庫開發(fā)等現(xiàn)代實(shí)踐，讓傳統(tǒng)筆墨在當(dāng)代語境中重?zé)ㄉ鷻C(jī)?？梢哉f，“辜體”不僅是古典筆墨的承續(xù)，亦是時(shí)代精神的映照，在當(dāng)今書壇中獨(dú)具光華。
2023年，“辜體”字庫經(jīng)國家知識(shí)產(chǎn)權(quán)局認(rèn)定并命名，成為中華蘭亭名家字庫的重要組成部分。受中華蘭亭字庫網(wǎng)邀請(qǐng)，創(chuàng)作4000字入中華蘭亭名家字庫，命名為“辜廣生字體”（簡稱“辜體”）。
著名書法家辜廣生以其獨(dú)樹一幟的“辜體”書法，屢獲文壇與藝界盛邀。受邀撰寫六祖惠能《華光寺碑》、五臺(tái)山北臺(tái)《靈應(yīng)寺碑記》，其筆墨深融禪意，典重渾成。
更受國際潮商會(huì)長俱樂部之托，以八百余字長卷揮就《潮商賦》，辭章恢弘、筆勢磅礴，將潮商精神凝于翰墨之間。這些作品不僅彰顯其書藝之臻境，更以筆墨載道，成就穿越時(shí)空的文化典藏。
辜廣生《華光寺碑記》
在“辜體”演繹的《華光寺碑記》中古典碑文被賦予了連接當(dāng)代心靈的體溫
辜廣生以融通古今的筆法將莊嚴(yán)古意化為可感知的現(xiàn)代線條——那些勁韌的撇捺，猶如劃開喧囂的禪音
疏朗的留白，恰是為疲憊日常預(yù)留的呼吸間隙這卷墨跡不再僅是歷史遺存而成為一封寄給現(xiàn)代人的手書信
在高速流轉(zhuǎn)的數(shù)字時(shí)代它邀請(qǐng)我們通過筆墨的起伏與頓挫觸碰那些關(guān)于沉淀、寧靜與永恒的共同渴望完成一場跨越時(shí)空的溫柔共情
辜廣生《五臺(tái)山靈應(yīng)寺碑記》
在《五臺(tái)山靈應(yīng)寺碑記》中“辜體”書法化作一場朝圣般的行旅
辜廣生以筆為杖，在紙面山巒間步步生蓮墨色時(shí)而如晨霧漫過經(jīng)幢般渾厚時(shí)而似夕照穿透古柏般清透
那些源于隸楷又超越程式的筆畫不僅是文字的筋骨更成為連接此岸與彼岸的棧道一橫里可見香客漫長的山徑一豎中能聞梵鐘穿透層云的余響
當(dāng)我們凝視這些仿佛會(huì)呼吸的字跡看到的不僅是書法的藝術(shù)更是東方哲學(xué)中“物我相融”的生動(dòng)顯現(xiàn)——紙上的靈應(yīng)寺其實(shí)早已筑在每個(gè)向往清凈的靈魂深處
辜廣生《潮商賦》
《潮商賦》局部
辜體揮毫處，墨凝潮水意《潮商賦》八百字如八百里韓江奔涌起筆是紅頭船破浪的孤勇收鋒為四海商埠連云的格局
一撇一捺間，可見工夫茶里沉浮的日月茶薄人情厚，貨通仁義在那墨跡枯潤相生恰似潮商百年跋涉枯處見闖蕩的滄桑潤處是反哺的溫?zé)?br data-filtered="filtered"/>
辜廣生《太空猿聯(lián)名諸圣創(chuàng)潮》
當(dāng)辜體的方拙風(fēng)骨刻入“太空猿”的星際輪廓一次跨越時(shí)空的文明對(duì)話便瞬間完成
來自碑刻與鐘鼎的金石氣息凝結(jié)為潮玩硬朗的機(jī)甲紋路與沉穩(wěn)姿態(tài)使仰望星空的未來意象根植于漢字千年不移的厚重根基之上
這并非簡單的元素疊加而是讓深植于刀劈斧鑿中的文化魂魄在當(dāng)代潮流載體中獲得了金屬質(zhì)感的再生與轟鳴
場景
《讀書能見道，入世不求名
會(huì)客廳（圖片由AI生成）
辜體書法“結(jié)字高古”的金石氣如巍峨基石托起“讀書”二字沉穩(wěn)開闊的格局而“入世”之筆又融入了行草的流轉(zhuǎn)于方拙中透出靈動(dòng)的從容
墨色濃淡間，仿佛可見主人內(nèi)心的圖景在閱讀的靜默中洞見生命與天地的法則（見道）而踏入紛繁世事時(shí)又能持守一份淡泊與本真（不求名）
臥室入門玄關(guān)（圖片由AI生成）
懸于臥室入門玄關(guān)此處便成了每日修行啟程與歸來的精神道場
晨起推門，第一眼便是這方拙沉穩(wěn)的墨跡“讀書能見道”的方勁古意如晨鐘提醒新一日當(dāng)以清醒心智與書香為始
暮夜歸寢“入世不求名”的寬厚舒展則如暮鼓滌蕩日間紛擾，讓人卸下功名塵勞回歸內(nèi)心本真
《人生哪能多如意，萬事但求半稱心》
書房（圖片由AI生成）
懸于書房這方寸天地便擁有了調(diào)和理想與現(xiàn)實(shí)的生命智慧
辜體古拙舒展的線條在書卷環(huán)繞中愈發(fā)顯得通透它不語，卻時(shí)時(shí)在說求知可求全，但生活宜求半筆墨可盡興，而心境貴知足
這并非消極妥協(xié)而是在知識(shí)的浩瀚與生命的局限之間達(dá)成一種充滿韌性的平衡讓書房成為既追逐星辰、亦安頓身心的完整宇宙
私人冥想?yún)^(qū)（圖片由AI生成）
在此獨(dú)處的靜謐中辜體每一筆方勁沉實(shí)的起落都呼應(yīng)著吐納的節(jié)奏
它并非被“觀看”的文本而成為冥想的視覺錨點(diǎn)讓禪坐者在一呼一吸間體證“不求全”的智慧于筆墨的古拙氣韻中找到與生命真實(shí)境遇和解的寂靜空間
更多作品
辜廣生《白玉蟾詩·臥云》
辜廣生《道德經(jīng)名句》
辜廣生《松鶴延年》
辜廣生《出塞》
辜廣生《滁州西澗
辜廣生《清平樂·會(huì)昌》
關(guān)于藝術(shù)家
辜廣生，漢族，廣東潮州人，擁有研究生學(xué)歷。作為當(dāng)代書法“辜體”的創(chuàng)始人，中國書法家協(xié)會(huì)會(huì)員、國家一級(jí)書法家，西泠印社出版社廣東分社執(zhí)行社長、《中華英才》半月刊融媒體中心理事會(huì)副主席、粵港澳經(jīng)濟(jì)文化交流中心文化藝術(shù)高級(jí)顧問、廣州藝博會(huì)專家顧問、廣東省民營企業(yè)投資發(fā)展促進(jìn)會(huì)藝術(shù)顧問、中國書畫產(chǎn)業(yè)研究基地專家組成員、電視《文化強(qiáng)國》欄目組藝術(shù)顧問、高級(jí)智庫大辭典首席專家、中國非遺發(fā)展中心藝術(shù)顧問、國賓禮藝術(shù)家、中國文聯(lián)聯(lián)墨藝術(shù)鑒定評(píng)審中心專家、中國書畫院名譽(yù)院長、清華大學(xué)美術(shù)學(xué)院書畫系客座教授、中國博物館研究員、廣東省作家協(xié)會(huì)事業(yè)發(fā)展委員會(huì)副主任、廣東省建設(shè)學(xué)院客座教授、廣東韓山師范學(xué)院書法客座教授等。
辜廣生應(yīng)中華蘭亭字庫網(wǎng)“中國書法名家字庫工作委員會(huì)”之邀，精心創(chuàng)作4000字錄入中華蘭亭名家字庫，入庫后被命名為辜廣生字體，簡稱“辜體”，并獲國家知識(shí)產(chǎn)權(quán)局認(rèn)定。2023年8月10日，“辜體”字庫書典首發(fā)式暨辜體書法研討會(huì)在人民大會(huì)堂、全國人大會(huì)議中心盛大舉行；同年12月2日，其“辜體書法展”于北京榮寶齋大廈美術(shù)館成功舉辦。2024年9月，辜廣生再度發(fā)力，成功研發(fā)創(chuàng)作4000個(gè)獨(dú)特書法字體納入中華字庫，被命名為“中華蘭亭一一辜廣生第二種”，成為“辜體”系列，經(jīng)中華蘭亭字庫工作委員會(huì)嚴(yán)格評(píng)審，被授予中華蘭亭字庫“高級(jí)專家”稱號(hào) 。2025年6月8日已成功創(chuàng)作當(dāng)代“辜體”書法7300個(gè)字入華為、小米、榮耀、oppo、vivo五家國內(nèi)手機(jī)平臺(tái)。
辜廣生的藝術(shù)影響力廣泛，受邀撰寫六祖惠能《華光寺碑》、五臺(tái)山北臺(tái)《靈應(yīng)寺碑記》，以及受國際潮商會(huì)長俱樂部邀請(qǐng)撰寫800多字長卷《潮商賦》。他的書法作品《沁園春·雪》被人民大會(huì)堂珍藏，《陋室銘》被國家博物館收藏。
Gu Guangsheng, of Han ethnicity, is a native of Chaozhou, Guangdong Province, with a postgraduate academic background. As the founder of the contemporary "Gu Style" calligraphy, he holds multiple prestigious titles, including being a member of the China Calligraphers Association, a National First-Class Calligrapher, Executive Director of the Guangdong Branch of Xiling Seal Engraving Society Publishing House, Vice Chairman of the Council of the Multimedia Center of *China's Talents* biweekly, Senior Cultural and Arts Advisor of the Guangdong-Hong Kong-Macao Economic and Cultural Exchange Center, Expert Advisor of the Guangzhou Art Fair, Art Advisor of the Guangdong Private Enterprise Investment and Development Promotion Association, Expert Member of the China Painting and Calligraphy Industry Research Base, Art Advisor of the *Cultural Power* TV Program Group, Chief Expert of the Senior Think Tank Dictionary, Art Advisor of the China Intangible Cultural Heritage Development Center, National Guest Gift Artist, Expert at the China Federation of Literary and Art Circles' Calligraphy and Ink Art Appraisal and Review Center, Honorary President of the China Painting and Calligraphy Academy, Guest Professor at the Department of Painting and Calligraphy of Tsinghua University Academy of Fine Arts, Researcher at the China Museum, Deputy Director of the Career Development Committee of the Guangdong Writers Association, Guest Professor at Guangdong Construction College, and Guest Professor of Calligraphy at Guangdong Hanshan Normal University.
At the invitation of the "Chinese Calligraphy Masters Font Committee" of the China Lanting Font Library, Gu Guangsheng meticulously created 4,000 characters for inclusion in the China Lanting Masters Font Library. After being added to the library, these characters were named the Gu Guangsheng font, abbreviated as "Gu Style," and were recognized by the National Intellectual Property Administration. On August 10, 2023, the launch ceremony of the "Gu Style" font library and the Gu Style calligraphy seminar were grandly held at the Great Hall of the People and the National People's Congress Conference Center. On December 2 of the same year, his "Gu Style Calligraphy Exhibition" was successfully held at the Rongbaozhai Building Art Museum in Beijing. In September 2024, Gu Guangsheng once again made strides by successfully developing and creating 4,000 unique calligraphy characters, which were incorporated into the China Lanting Font Library under the name "China Lanting—Gu Guangsheng Second Style," forming part of the "Gu Style" series. After a rigorous review by the China Lanting Font Library Working Committee, he was awarded the title of "Senior Expert" of the China Lanting Font Library. On June 8, 2025, he successfully created 7,300 characters in the contemporary "Gu Style" calligraphy, which have been incorporated into five major domestic mobile phone platforms: Huawei, Xiaomi, Honor, OPPO, and Vivo.
Gu Guangsheng's artistic influence is extensive. He has been invited to inscribe the *Huaguang Temple Stele* for the Sixth Patriarch Huineng and the *Lingying Temple Stele Inscription* for the North Terrace of Mount Wutai. He was also invited by the International Chaoshan Business Club to compose an over-800-character long scroll titled *Ode to Chaoshan Merchants*. His calligraphy work *Qinyuanchun·Snow* is preserved in the collection of the Great Hall of the People, while *Inscription of a Humble House* is housed in the National Museum.
